My involvement in this project began with designing the main character and developing the initial styleframes to define the visual direction. Once our art director, Carolina Méndez, put the animatic together, I took over illustrating the rest of the scenes.

It was originally planned as a full 2D animation, but when the client decided to pivot to a hybrid 2D/3D look, I adapted by using the AI tool Flow to turn my 2D backgrounds into 3D spaces. Finally, I wrapped things up by vectorizing all the character poses and props to get them ready for production.